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Cytat
Do celu tam się wysiada. Lec Stanisław Jerzy (pierw. de Tusch-Letz, 1909-1966)
A bogowie grają w kości i nie pytają wcale czy chcesz przyłączyć się do gry (. . . ) Bogowie kpią sobie z twojego poukładanego życia (. . . ) nie przejmują się zbytnio ani naszymi planami na przyszłość ani oczekiwaniami. Gdzieś we wszechświecie rzucają kości i przypadkiem wypada twoja kolej. I odtąd zwyciężyć lub przegrać - to tylko kwestia szczęścia. Borys Pasternak
Idąc po kurzych jajach nie podskakuj. Przysłowie szkockie
I Herkules nie poradzi przeciwko wielu.
Dialog półinteligentów równa się monologowi ćwierćinteligenta. Stanisław Jerzy Lec (pierw. de Tusch - Letz, 1909-1966)
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. The result is a structure that has evolved over the years. When profiling an individual, whether it is for a newspaper, magazine, or newsletter, you should include biographical material offered in a mostly chronological order, an environment or surroundings description, anecdotes or stories by and about the subject, personal information, and family information. It does not have to be presented in this order, of course. A combination of these elements should produce a full, insightful picture of the individual or subject.Writing the article will be easiest to do if you follow the general format for profiles. After you have done a profile or two, you will probably begin to experiment with other organizational approaches as well as other means of focusing on the individual. A standard pro Page 179file can have several purposes and forms. A full profile will be a narrative article of considerable length depending on whether the profile is for a newspaper, magazine, or newsletter. Many publications are publishing profiles in capsule form, called thumbnails or sketches by some editors. These are abstracted profiles with only the basic facts presented in a summary or listing format. For a beginner, a traditional profile formula has five major parts:1. Lead paragraphs.2. "News peg" or "nut graf" outlining spot developments of significance.3. Subject's current successes / accomplishments.4. Biographical chronology.5. Ending or conclusion.The lead can be built by using several parts or only one component. Like other articles, it is two or three paragraphs that are interestarousing for the reader. These can be stirring quotations, a dramatic scene description, or a telling anecdote. The lead should melt into the current accomplishments portion through an effective transition. That is the article's news peg. This is where you tell your reader: This is why you should read about this person. This is the point of the story where you describe the subject's achievements and responsibilities. Fort Worth StarTelegram writer Ken Parish Perkins interviewed television producer David E. Kelley in Los Angeles and wrote this brief profile of the rising creative force behind several successful programs:David E. Kelley's resume includes writing Emmywinning episodes of "L.A. Law" and serving as creator and producer of the similarly decorated "Picket Fences" and "Chicago Hope,'' as well as "Doogie Howser, M.D.," "The Practice" and the new Fox delight "Ally McBeal." Like Steven Bochco and Aaron Spelling, he's a rare producer who has a following."He's like a rock star who doesn't sing," said Kelli Williams, a regular on "The Practice," a legal drama that ABC is shifting to 9 p.m. Mondays this week, just as "Ally McBeal" ends on Fox. "That's a place few producers, and especially writers, get to."And a place where Kelley isn't at his most comfortable. Friendly, unpretentious, guarded about himself but surprisingly blunt Page 180when pressed, Kelley makes it plain that he abhors interviews. He tries to stay as far below the fame radar as anyone who is married to Michelle Pfeiffer can.Part of the reason for the reluctance is that interviewers focus, inevitably, on the writing, and ask questions such as "How does your mind work?""I look at myself the same way I look at television: As long as there's an image up there in the mirror, fine," he said. "Don't start looking at the wires behind because something will go wrong. So I tend to sort of stay out of the analysis of why I write and what I write and just hope that whatever comes out, some people will want to watch."An acquired tasteWhether people want to watch is always a producer's concern, but Kelley's work is often an acquired taste.Since leaving a Boston law firm to write scripts for "L.A. Law" in 1986, Kelley has intellectualized series TV, filling it with a substantial helping of poignancy and, in some cases, wackiness. Carefully knotted, compellingly authentic story lines twisted by heated debates are his signature.In "The Practice," starring Dylan McDermott as the head of a struggling Boston law firm, attorneys struggle to balance their idealism against the pragmatism of practicing the craft.McDermott's dashing Bobby Donnell commits his share of legal or ethical offenses while remaining, at the core, a pretty ethical and moral character. It's a tough trick he pulls off, with Kelley's words as guideposts.A firm of defense practitioners, in fact, presents the perfect place for the Kelley paradox: the handling of clients whose guilt is often undeniable."We've tried to focus on questions, and a lot of those questions, I guess, would be mine," Kelley said. "I hope I would refrain from getting on a soapbox, or saying, 'This is what's wrong, and do it this way.' I'd rather we focus on a question and explore both sides at the same time." Page 181No easy answersHis best sense of accomplishment, Kelley said, comes when viewers are unsure which is the right side."We certainly go at the blemishes of the system," Kelley said, "but acknowledge at the same time that the answers aren't so easy."A Princeton graduate, reportedly somewhere between 39 and 41, Kelley earned his law degree in 1983 from Boston University. He was in the mediumsize firm of Fine & Ambrogne when he had his first idea for a script.On a whim, he wrote it, then sent it off to his newly acquired agent to see whether it could be sold. It became the film "From the Hip," with Judd Nelson as a novice lawyer who gets a chance to defend a highprofile man accused of murder. The movie tanked, but Bochco liked Kelley's mix of courtroom comedy and drama and brought him aboard "L.A. Law" as a story editor."He not only had a gifted legal mind, but he was deft at writing characterization," Bochco said. "We get hundreds of scripts from people claiming to know a lot about their professions, and they do. But can they articulate them on paper? Can they make them believable?"Kelley went out on his own to create "Picket Fences," starring Tom Skerritt and Kathy Baker as the sheriff and chief surgeon of a small, quirky Wisconsin town. The drama pocketed a fistful of Emmys but never became a ratings hit.(Kelley took the brunt of the blame, saying that he scared off the audience that first season with too many oddball scripts.)Then came "Chicago Hope," a hospital drama produced by Kelley's production company, though he no longer is creatively linked to the show
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