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Cytat
Do celu tam się wysiada. Lec Stanisław Jerzy (pierw. de Tusch-Letz, 1909-1966)
A bogowie grają w kości i nie pytają wcale czy chcesz przyłączyć się do gry (. . . ) Bogowie kpią sobie z twojego poukładanego życia (. . . ) nie przejmują się zbytnio ani naszymi planami na przyszłość ani oczekiwaniami. Gdzieś we wszechświecie rzucają kości i przypadkiem wypada twoja kolej. I odtąd zwyciężyć lub przegrać - to tylko kwestia szczęścia. Borys Pasternak
Idąc po kurzych jajach nie podskakuj. Przysłowie szkockie
I Herkules nie poradzi przeciwko wielu.
Dialog półinteligentów równa się monologowi ćwierćinteligenta. Stanisław Jerzy Lec (pierw. de Tusch - Letz, 1909-1966)
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.J.Audio Eng.Soc., 39(3):115 126. Index4A, 213Adaptive noise cancellation, 2684B, 213Adaptive parameter estimation, 1364C, 214Adaptive phase smoothing4X, 215sine-wave analysis/synthesis, 380Adaptive processing, 136A/DAddition rule in masking, 13Fixed point, 197Additive synthesis, 346Flash, 198Additivity of masking, 44counter (servo), 198Advanced Audio Coding, 79floating point, 201Akaike s Information Criterion (AIC), 189integration, 198Alias reduction, 57AAC (See Advanced Audio Coding)All-pole model, 135ACR (See Absolute Category Rating)All-pole spectral modelingADC (Analog to Digital Converter), 196sine-wave residual, 388AGC (Automatic Gain Control), 255Allen Organ Company, 319AGC, 380Allpass feedback loop, 114, 116hearing aid, 256Allpass filter, 105, 107-108, 111, 113 l16, 121,input, 257452output, 257lattice, 114AMD 2901, 203, 216Allpass filters, 105AR (See Autoregressive)Allpass interpolation, 452ARMA (See Autoregressive moving average)Alpha parameters, 448ASP, 203, 217Amplifier saturation, 251 252ATC (See Adaptive Transform Coding)AmplifierAT&Tclass-B, 252DSP-16, 221, 229class-D, 252DSP-32, 222, 228Analog DevicesDSP-32C, 222DSP3, 232 2100, 221Absolute Category Rating (ACR), 6 21000, 223Absorptive filter, 102 103, 113, 116, 119, 122, SHARC, 223127 128, 130 Analog synthesizers, 312Adaptive block switching, 58Analogue restoration (See Restoration)Adaptive filter bank, 58Analysis-by-synthesis, 65Adaptive high-pass filters, 263Analysis/synthesis filterbank, 347 APPLICATIONS OF DSP TO AUDIO AND ACOUSTICS536Analysis/synthesis, 51Block-based processing, 136Analytic signalBowed stringsdefinition, 409 bow force, 464Anti-aliasing filter, 196, 200 bow-string interaction, 463Array misalignment, 270friction force, 465Articulation Index, 264scattering formulation, 464Articulatory speech synthesis, 419waveguide synthesis, 462Asymmetry of masking, 17 Breakages (See Restoration)Attack time BreathinessANSI, 260 example, 344compression, 255 Buchla, 312Attack, 319, 322Audio codec quality, 37CDC 6000, 210Audio quality, 1 2COPAS, 217Audio restoration (See Restoration)Caruso, 134Auditory scene analysis, 24, 26Cepstral distance, 30Auditory system, 8, 10, 16Chaos measure, 61Auralization, 87Characteristic impedance, 433Automatic gain control, 255Chipmunk effect, 322Autoregressive (AR) model, 135, 142, 159, 164Cholesky decomposition, 148Autoregressive (AR) model, Interpolation (SeeChorusing, 298, 303Restoration,Interpolation)Circulant matrix, 126Excitation energy, 148Clarinet synthesis, 455Model order, 136Clarity index, 98Autoregressive Memoryless non-linearityClicks (See Restoration)(AR-MNL), 187Clipping, 340Autoregressive moving average (ARMA) model,Cochlea, 239 240, 259135, 164Cochlear implants, 275Autoregressive non-linear AR model (AR-NAR),Cochlear partition, 240188Coding, 63Cognitive modelling, 1, 7 8, 17, 22, 26, 29, 31, 37BC coding (Backward Compatible), 77 Coherence function, 30Background noise, 7 Coherence, 252Bandwidth Comb filter, 105, 107 111, 113, 118, 121, 126 127,hearing aid, 253 394Bar vibrations, 451 adaptive, 266Bark, 11, 14, 16, 19, 26, 37, 42 Commutativity simplifications, 450Basilar membrane, 240 Compatibility matrix, 73Bayes rule, 153 Compression ratio, 255 256, 258Bayesian methods (See Restoration) auditory, 243, 259Bernoulli model, 140 Compression rule, 14Big values, 65 Compression threshold, 255 256Binaural impulse response, 86 Compression, 10Binaural processing, 36 auditory, 243Bit allocation, 63 cochlear model based, 263MPEG-1, 76 feedforward, 257Bit reservoir, 67 hearing aid, 255Bit-reversal, 207 loudness-based, 262Blind identification, 184 multi-channel, 261Block companding, 64 polynomial, 262Block convolution, 101 principle component, 262Block floating point, 64 single-channel, 256 INDEX537slow-acting, 262Sequential, 153syllabic, 257, 261Threshold selection, 141, 143two-channel, 260, 263Deterministic plus stochastic signal model, 386two-stage, 261time-scale modification, 391lossy Differentiation filters, 431model-based, 418 Digital Audio Broadcasting, 40Consonant-vowel ratio, 258 Digital waveguide network (DWN), 123, 125Continuously interleaved sampling, 276Discrete Fourier Transform (DFT), 149Converter Model for interpolation, 152Analog-Digital, 196Dispersion, 451Digital-Analog, 196 Distortionfloating-point, 201 harmonic, 252oversampling, 199 200hearing aid, 259successive approximation, 198 intermodulation, 252Correction filter, 123, 128 peak-related, 137Correlation matrix Dither, 199array, 272 subtractive, 199Cosine-modulated filter banks, 56 triangular, 199Coupling channel, 72 nonsubtractive, 199Critical band, 42 Downmix, 73Cross-correlation, 156 Drop sample tuning, 322Cross-over distortion, 183 Dynamic Range Compression, 380Crossbar, 222, 228, 231 232 Dynamic range compression, 255Crossfade loop, 334 sine-wave analysis/synthesis, 379Dynamic rangehearing aid, 251 252D Alembert, 426DAC (Digital to Analog Converter), 196DCR (See Degradation Category Rating) E-mu, 320, 338, 340DCT (Discrete Consine Transform), 53 ECL (See Emitter Coupled Logic)DCT (Discrete Cosine Transform), 79, 205 ESC (escape) coding, 66DFT (Discrete Fourier Transform), 53, 179, 206, ETSI (European Telecommunications Standards347, 353 Institute), 21, 25, 29DI (Disturbance Index), 35 speech codec quality, 21DRC (Dynamic Range Compression), 380 Ear canal, 238, 250DSP
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